As I already mentioned in the first part of the post about Vienna Contemporary, the countries present are mainly from Central- and Eastern Europe; still, few galleries come also from Korea, China, Northern Europe. A special focus is dedicated to Armenia after the recent Velvet Revolution, which took place in April and May 2018 and has revolutionised as well the national perception of art, creating a new dimension of artistic language that just until recent times has been the only way to protest.
What literally surprises me is when I see the name next to three drawings: Kostya Novoselov. And when I start reading the caption my supposition gets confirmed: he is the Konstantin Novoselov who won the Nobel Prize in Physics in 2010 for having succeeded in isolating a single layer of graphite, the exceptional graphene (and since I am a scientist too I like to show you the structure of both: the Art of Nature).
The three drawings are realised with the same material he has studied so extensively: graphene ink (and Chinese ink) on rice paper. I find this simply amazing.
And a huge Carrara marble from the artist Thom Puckey represents a naked woman walking on her knees and one hand while holding a gun and hiding a knife behind the back. I find impressive the contraposition between the use of such a classic and noble material to picture, in my opinion, what is probably one of the most controversial topics at the moment: the subordination of women, the social vulnerability that puts them –us – on a constant alert and defensive mode; and still the awareness and the strength to react in any possible way –with any possible means.
An interesting and varied collection of artworks is displayed by the H.A.N. Gallery from Seoul: a frame with overlaid grids that recreate a picture in black and white (Seungmo Park); a futuristic light installation (Susanne Rottenbacher); and some metal elephants whose legs recall the visionary animals of Dalì (Wook-Jang Cheung).
The Trafo Gallery, which I already mentioned in the first part of this post, offers as well some futuristic art, representing Michal Cimala with his robotic lit mannequins; while the Tobe Gallery exhibits some portrait photography in which the light (or better the darkness) and the subjects remind in a way the portrait paintings from the Renaissance, giving a timeless allure to the picture.
At the booth of the Bechter Kastowsky Galerie the artworks acquire new dimensionality by hanging one on the other and getting complete by the wallpainting.
These are just few examples I found interesting to mention, mainly to show the variety of the selections made for introducing what is going on in and around the European art world. I hope I did stimulate your curiosity, and maybe we’ll see each other there next year!
For galleries and artists out there, the call for 2019 is now open. Have fun with art!